In response to Eli... on trends.

Eli, over at Thrift Eye recently commented on the "Florals for Spring" post, and my response to her seemed to inject itself with steroids, grow extra limbs and just generally Jabba the Hut all over the place, so... naturally, I thought it best to share it here.

Eli's perfectly normal, unassuming comment:

"But you used to be or still are a buyer for a store right? That brings upon the duality of trend forecasting much like magazines do I would imagine. Magazines criticize the same hypocrisy they represent. If it's not flowers for spring it's stripes, or dots, or whatever then floral all over again! This is why I'm much more apt to wear what I like and looks good on me and not follow trends. In fact, I think the trend right now and maybe for the 2010's is to not follow a trend?

I personally love flowers...and generally think millions or billions of others do too. Why else would Liberty of London still exist?!"

My unbelievably long, ranting, tangent of a response (sorry):

I totally agree with you, Eli. I buy for stores in California, Hawaii, and Arizona- and yes, as such I am slave to the trend forecasting Gods. We're often buying more than a year out. But you know what? It's all just soooo cyclical and after a while... predictable. This gives many buyers an attitude of: "We make the trends... WE determine what will be available to the public next season/next year..." And to an extent, they're right, because often a particular style won't even go into production if the presale figures are weak. Though it can be very redundant, I have to look at each collection with a fresh and neutral palate because I'm not buying for myself- I'm buying to appeal to women of all ages, shapes, sizes, and lifestyles. I'm paid to predict, but in doing so I have to consider the woman who will ultimately see an item in a shop window and stop in her tracks. Where will she be in 12 months? WHO will she be? What editorial, celebrity, weather, or colors will appeal to her? What music will she listen to? What car will she drive? Who does she go home to at night? How does she earn her money, and (most relevant) how will she choose to spend it?

Personally, I wear whatever the heck I want, whenever I want (often to my own detriment- but happily), and in my everyday life I am absolutely immune to what's hip or trendy at the moment. To be honest, I find that the more loose and unaffected I can keep myself, the better my buying and long term trending radar (and thus next years' sales figures) will be. Also, it might seem obnoxious to say this, but when you're exposed to so many collections so far in advance, what's trending "now" really loses its impact. By the time I finally see the product on a hanger, in the store- it's old news. But it's the way this fashion machine works, and it's really all we've got in terms of steering customers down the path that will lead to the highest revenue. Through trends, the industry shoves its ominous mantra down consumer's throats: "Oooh.... Hurry up and wear your stripes while you can... polka dots are riiiight around the cornerrrr!" Ummm... Are my stripes going to self-destruct next month, or run away from home when the polka dots show up? I can't tell you how much I hate that mentality. I also hate perpetuating the gross consumerism and waste that trends produce in my occupation. It's probably the single most difficult aspect of my job, and will certainly be my downfall- which is why I'm so in love with your approach and the concept you project with your own blog.

I grew up in a really unique situation, with my mother selling vintage couture in one room, and my auntie selling ridiculously high-end contemporary apparel in the next. Under one roof! It definitely molded a unique perspective on the appreciation of quality clothing, upcycling, and care. I learned at a very young age that though trends are fleeting, they always come back. The smartest way to buy is always the very best quality you can afford- whether it's fresh from the manufacturer, or a vintage treasure. And always, ALWAYS hang on to those rare gems that fit you like a glove, flatter you, and make you feel like the prettiest girl in the room.

I'll just slip on my hypocrite hat for a sec here and say, that if I could sit a room full of customers down, I'd ask them to really consider the impact of following trends and to ask themselves before they buy: Is it worthy of the space in your closet? On our planet? Who are you buying it for- the salesgirl who says you look great in it? Your friend who mentioned it? The magazine that said you should? Anna Wintour? Unless the answer is "me", I'd advise them to just say "no". Trends are our obnoxious, money-making, way of controlling you. What's most flattering is an attitude of wearing what you truly love- what truly appeals to you, regardless of outside influence. Confidence, individualism, and knowing yourself and your body is the essence of creating a "signature" look that expresses who you really are. And that, my friend, is the one enduring trend that never goes out of style.

"Florals for Spring... ground breaking"

When Meryl Streep uttered that (now infamous) phrase in The Devil Wears Prada, I snickered at the blunt and blatant accuracy of it. Simple, true... biting! Her character, Miranda Priestly, represented all things correct at fashion's upper echelon, and her remark was the verbal equivalent of a monkey throwing feces at its inferiors.

I'm not going to analyze a movie quote here, I just wanted to point out that I've been thinking a lot lately about trends, seasons, and the general pace of this industry and my place in it. The older I get, the less concerned I am with keeping up and the more interested I am in investment pieces that will float from season to season, and year to year, with ease. Obviously my wants and needs change throughout the year- but at this age I know what I like and what flatters and inspires me, and no amount of runway, marketing, celebrity endorsements, press push, or trending, influences any of it. Free at last!

Although, not the best attitude for a buyer... Eeep!

Today it made me think about that movie quote because- you know what? I love florals for Spring. I love them bold, bright, big, and unapologetic... I love them little, subtle, hinted-at, and light... I want them in my house, my hair, my salads, my window boxes, and yes- sometimes in the fabric swishing around me. I never gave them much thought until I moved to a climate with actual, temperature-changing seasons. In fact, what little thought I did give them was tainted by gaudy images of poly-blend matching sets for tourists. But after enduring months of cold, wet, and grey- florals, sunshine, and cottony, gauzy goodness feel like the reward for making it through another icky Winter. Oooh... I am so feeling these light, breezy pieces for Spring...

I love her dark-palette pattern mixing and the belt that anchors this sweet, movable look with a good dose of solidity.

I've obsessed over this photo since last Spring- but that just proves my theory about age and finding the pieces that you'll want to come back to again and again. Plus, I absolutely adore how adept these Italian girls are at making stacks and tons of jewelry look so effortless and casual.

At first glance you're thinking "What? Too much!"- but I'm telling you, this is the freshest and most fluent way I've seen a maxi dress worn. The color isn't in-your-face and the pattern isn't killing your eyes. She's so unrestricted and fluid, yet the result is regal rather than muʻumuʻu.

This is another one saved from early last year. The epitome of femininity (her dress, her ballerina top-knot, and her pink cheeks) and the contrast of well-worn Converse on a grated metal stoop... I love it so much. I tried a version of this on my Paris trip with a soft, Indian cotton, vintage dress that I picked up for about $12 on the left bank, and my grey Bensimon lace ups. I thought about this photo a lot that day.

This look feels the most ingrained in me. I found a photo of myself from a 5th grade art class recently- wearing something pretty identical, but with a weird, old, felted brown hat thrown in. Hmmm... I went through a very Prairie dress/brown boots phase in 5th grade. I've revisited the look several times since then, and it remains a soft spot. But isn't it just kind of precious? She looks so fragile and sweet, and yet also like she could just kick Miranda Priestly in the teeth for mocking her floral dress.

Photo source: 1-5

Moving on up...

Today's high temperature was 92.4°.

Though it's unseasonably warm and we're in for a bit more rain, I'm officially saying adieu to Winter. I won't miss anything about it at all, but I figured this might be my last opportunity to post some favorite Wintery ensembles.

'Til next time...

Photo source: 1-4

Cold weather cuteness, Helsinki-style!

Amber sent me an email today about her friend Eri, who was shot for this amazing Helsinki street-style blog. It took all of ten seconds to get sucked in, and now I've gone through about a year of shots. I feel like even after (oh my gosh) almost SIX YEARS of living in weather with actual seasons- I'm still kind of at a loss when the temperature dips below 65. I've finally accumulated a decent volume of appropriately warm clothing, but looking cute in the cold is still a big, elusive animal for me. These girls make it look so easy! I love that they're warm, and adorable, and individual, and realistic! Sometimes the Sartorialist gives me low-end amnesia. Meaning, I forget that I do not need to drop a couple grand on myself to leave the house looking good. I like that these Helsinki girls are so obviously having fun with their ensembles. I love that there's the occasional high-end item thrown in here, with lots of great Japanese and Nordic design, mixed in lovingly with thrifted, recycled, borrowed, or High street. The more I learn about winter dressing, the more I think it's all about maintaining balance and comfort, while never covering up who you are underneath all those layers.

A few of my favorites...

“I'm wearing my grandmother's old scarf, my mother's old coat, knitted leggings made by Estonian designer Liina Viira and a bag made by my aunt. I like to mix colours and prints. I make clothes myself, too. Kirill Safonov is my favourite designer.” -Allii-Liis, 21

“I'm wearing a coat from Mango sale, Vagabond shoes, pants from H&M and a bag from Lindex. I like extraordinary and funny looks like an ordinary sweater mixed with a fur collar. I like to wear transparent clothes and showy jewellery, especially rings. I admire Rachel Zoe.” -Tiina, 22


“In winter I get a bit depressed and start wearing black which I normally avoid. I like to wear dresses and would like to find a perfect pair of leather jeans. Now I'm wearing a second hand jacket, a H&M jumpsuit and shoes from Din Sko.” -Petra, 20


“I like to wear vintage hats and clothes. I collect and sell them, too. 40s dresses are my favourites. Now I'm wearing a vintage Lanvin hat, a leather jacket from a sale and second hand Yohji Yamamoto shoes.” -Leena, 24


“The cape is from Vintage Ansa and it's also called Anna. The beanie is a gift from a friend, the scarf is self-made, the pullover and the bag are second hand. I like nude, beige and other down-to-earth colours. I like loose, comfortable and droopy clothes like big pullovers.” -Anna, 23


“Today I wanted to wear a comfortable outfit. My current favourites are my Chloé bag and dark lipstick. And you cannot go wrong with a biker jacket. Tokyo inspires me. Next I would like to get something in the spirit of Indians. I almost chose to wear feathers around my neck.” -Ann-Marie, 20


“I like second hand, brown, army green and outfits with feminine elements. Sweden, indie bands like The Kooks, sea and sailing inspire me.” -Mona, 17

Retail buying, for real...

So a friend of mine recently asked about my work, and specifically how she could get into it too. At first I thought, oh yeah... it's nice. As much as I complain- it certainly has its perks; Great clothes, cool people, a little travel... But when I really start thinking about it, it's much more than that. Good and bad, it's much more.

Women love clothes, and young women especially tend to think of the fashion industry as glamourous, and beautiful and I don't know what... so when I tell people I'm a buyer for women's clothing, the immediate response is usually: "Wow!" "Awesome!" "Lucky..." or "Fun". Oftentimes I wonder what they're imagining my work to be... I try to think about it from an outside perspective and wonder, what would I imagine a "buyer" does all day? I can't. I've been up to my eyeballs in this business since I was 14 years old, working as a gopher and retail slave -girl for two years before wriggling my way into "Buyer's Assistant" at 16 (which, cool job title aside, was exactly the same job). It's impossible for me, therefore, to have any remotely unbiased views of this life or to relate at all to the countless girls that seek it out. Am I jaded? Not unless I started out that way. My opinions of, and interest in fashion are so deeply ingrained, they're hard-wired.

My mother sourced and sold vintage couture. I grew up reading "W", "Vogue", and French "Elle" like they were nursery rhymes. I understood the nuances of "cuts" and "lines" while most girls my age were still dressing their Barbies in poly-blend. This may seem smug, but it's really the opposite of that. I didn't know any better. I had no idea that it was any big deal until I was helping squeeze Salma Hayek into a Norma Kamali boneless corset dress at 15 and said: "Well, it's all in the structure- her couture is influenced by architecture and swimwear of the 1940's, so it's really structured, without being restrictive. Flattering without being overt, you know? She sews you in and holds you there with these incredible dual-purpose fabrics, so you don't need the boning!" Salma looked at me like I was possessed, and then she bought the nearly $4,000 gown. My imminent promotion followed soon after. This was my "Oh, I'm not normal"-moment.

The thing is, I knew so much about fashion by the time I went to college, that I couldn't have cared less if I ever went near the industry again. I lusted after the cuts and lines of industrial architectects rather than the cuts and lines of couturiers. Fashion was family, and home, and fall-back, and meh... it wasn't going anywhere. Inevitably I went back to it, simply because it came easily, it was what I knew and I knew it well. I went from gopher, to assistant, to buyer, to store owner and I can tell you- there's not a ton of differences between the four other than money; who's making it, who's spending it, and who's paying it out. Of all those little hats, the one that fit me best was buyer. I make my own hours, I work alone, and the better I buy- the more I earn. The best part is, as I get older, I buy better, I buy smarter and it just gets easier and easier. The worst part is, I'm not challenged, except by my own morals.

You see, there is a new breed of consumer- someone who grew up on Claire's, Forever 21, and polyester prom dresses. They want more and more for less and less, and they don't care where it's made or how- so long as it's cheap and trendy. What's more disheartening is the fact that we (in the industry) are kow-towing to this woman. We're supporting disposable trends, and unethical manufacturing simply to meet the demands of debt-ridden consumers whom either don't know any better, or don't care. But it's cute? That dress you're purchasing at a bargain price was made of cheap, synthetic fabric, dyed with hazardous chemicals and some (illegal in this country) pesticides thrown in for good shipment. But it looks okay to you? It was probably sewn in a filthy sweatshop by a worker paid an unfair wage. There is nothing to be proud of in that prom photo, dear. Your dress is shit and it will fall apart on you. In fact, it's likely something will go wrong with it by the end of the night. Got a deal on your bridesmaid's dresses? Bad manufacturing doesn't bode well for the chicken dance, sister. You're better off having just one bridesmaid and buying her a decent ensemble. Better yet, buy vintage. The fabrics and tailoring are incomparable. Try the touch test. Vintage satin vs. today's cheap but oh-so-shiny and wrinkle-free impostor-satin...

I mention the satin, in particular because I'm fresh off of buying for prom season and to my shock, I found the most incredible silk satin dresses by Joseph Walker. These feel like the vintage couture I know and love. These are the real deal- or as close to the real deal as you're likely to find for the price. Retailing for around $200 they blow the competition out of the water (*ahem* Jessica McClintock *cough,cough*). Even his palette is inspired and tasteful. There is nothing of the garish brights and neo-neons that pop up in nearly every showroom, nearly every Spring. Particularly, his pinks and greens... A subdued, and slightly greyed pink that just looks grown-up and beautiful and an absolutely sumptuous jade green; something universally flattering but oft overlooked. Furthermore, consumers, you're not actually saving on anything- here's a little fashion industry secret... YOU'RE BEING SWINDLED BY BARGAIN PRICED CRAP! Retailers know what prices you're used to, what prices you're immune to, and what you consider a "deal". The less they pay for the goods, the more they make off of you. Think they're passing savings onto you? Absolutely not. The "savings" are built into their profit margins, not passed on to the consumer. In other words, the less they pay, the more they profit. Is there a trendy little shop in your town that seems to ALWAYS have a sale going on? They actually don't... they're simply buying a dress for $10 pricing it at a 5.0 margin (WELL above industry standards). They then mark the dress at 50% off and you're thinking "Wow, I'm getting such a great deal", when in reality, they're profiting off of your trust and making more than they would on a higher priced, quality garment sold at full MSRP (a 2.3 margin). There is no bargain, my friends. The sale price was a farce and that damn dress will fall apart in a few months. Which just opens up a whole other can of worms... false economy, consumer culture, mass waste, etc. On this topic, the moral is this- hang on to your mother's and your grandmother's clothing; these are the items worth their salt, these are the items worth keeping and handing down to your daughters. Expect to pay more for items made ethically and appreciate quality craftsmanship. Have we forgotten what this is? With Levi's now made of varying materials in varying countries, two identical pairs of style 501 you've worn forever (and in the exact same size) will now vary by up to 3 inches in length and 2.5 inches in the waist. The washes and finishes will have no consistency and the cut and feel will most likely be unrecognizable.

Inevitably, potential buyers think that this job is about style, trends, and getting clothing at cost. On style... Of course style is a key factor in maintaining relevance, moving merchandise and longevity in this job. I'm not sure if this factor is innate, it's a bit of an x-factor- but it's also about influence, and inspiration. On trends... This aspect of my job is really the science part of it, and again a bit of x-factor for good measure. Trends are about picking up on little clues and subtle cues in the collective consciousness. They are about understanding the motion and force of fashion from Asia, to Europe to America's East coast, to California, and back to Asia again. It's about the trickle-down effect of Haute couture to Prêt-à-Porter to up-market, to mass production. And once you understand all that, it's about timing. Computer-generated analysis of markets and retail analysts offer some help and take a bit of guesswork out of which departments and categories are moving well, but ultimately it comes down to your innate ability to time a given marketplace. Knowing months in advance what trends will hit at what moment and where. Will your consumers be ready? I can't tell you how many times my own timing has been off. Often as a buyer, having access to upcoming colors, collections, and designs- you're so far ahead of the collective curve that you overestimate your own clock. I've had to store away entire deliveries for months at a time, until such time as the trend hit and the consumer was ready for it.

But more and more my job is really about protecting consumers and the marketplace from bad investments, it's about shielding stores from bad reputations, and finding a happy medium between style and substance, whilst maintaining a fair price-point for desirable apparel. And clothes at cost? Yes, it's a perk. If you're interested in being a buyer, you're likely something of a clothes-horse anyway, so you'll appreciate this aspect of it. I keep waiting for the stuffed-to-the-gills closet thing to get old (it hasn't yet).

DEAR VICE - FASHION-FORWARD IS FUCKING BACKWARD

I just caught this at viceland.com and felt compelled to share. I'm not sure if this is as funny for you as it is for me... but being immersed in this stupid industry every day (not to mention being a girl), can really make you take fashion way too seriously; so this just made my day.
Thanks Vice. Thanks Darby.

Enjoy. :)

"Dear Vice,

Contemporary female fashion has reached a nadir unseen since Chinese foot binding and artificial cranial deformation. The third millennium, for whatever reason, has spurred clothing designers and the women who buy their wares to completely eschew the basic principles of aesthetics in lieu of the conceptual. It has been happening for quite some time on the runways, but I believe this is the first instance in history where utility and attractiveness have quite literally been chucked out the window in the name of fashion-forward pipe dreams.

All it takes is a stroll down a busy street of any major metropolitan city to see what I’m talking about. Women, it seems, have been erroneously convinced that it is OK to ignore what actually looks good on their bodies and purchase (or, at the very least, desire) clothing that stimulates their brains in a way that makes them think, “Oh, wow, I can’t actually believe they sell something like this and that I had the audacity to buy it. LOOK AT ME, WORLD!”

Well, ladies, here is my take on why a large portion of you dress poorly. And, just in case you’re wondering, the reason I am qualified to talk about this is because I have eyes, a penis, and a preference for things that look flattering without explanation. Take that, you fucking eye-rapers.

Drop-crotch Pants

Is there a FUPA epidemic at the moment? Have they added an additional ingredient to fluoridated water that reacts with estrogen, which has resulted in an increased incidence of overly inflated guts and unsightly muffin tops? This is the only logical reason I can surmise for the current popularity of drop-crotch pantaloons and jodhpurs outside of equestrienne settings. What kind of woman can try these on, look in the mirror, and wholeheartedly believe she looks good in them? And don’t even get me started on the fags who’ve appropriated these for men. About the only thing these pants have going for them is that they illicit entertaining rhetorical questions. Here are a few more inquiries you can direct toward drop-crotch-wearing weirdos a la Al Jaffee’s Snappy Answers to Stupid Questions, except the pants are a stupid answer and your question is snappy (or something like that): Might you have a penis that you are trying to hide? Do you enjoy inconspicuously shitting your pants? Are you incubating a joey in there? Was the impetus for this style a person who tried to wear a shirt as pants? When you fart with these on, does the stench get trapped in there? Are you Aladdin?

Zany Alexander McQueen Shoes and All That They Have Inspired

If these are the type of unwearable apparel this guy was making while he was alive, I don’t think humanity is going to miss him very much after the barnacles and leeches have sucked dry the PR collateral of his untimely passing. Oh, am I being harsh? Too bad. These shoes are fucking harsh, as in they will jar your senses when you try to walk in them and end up gashing your forehead open on a staircase. I’m all for women wearing high heels (because it makes their asses look nice and lengthens their legs—two utilitarian AND attractive concepts I can thoroughly get behind), but shoes are arguably the most important and functional article of clothing. What’s the point if they make you walk like a giraffe who just huffed ethanol? There isn’t one, so stop wearing these types of shoes please. They look like Spuds MacKenzie designed them using his snout as inspiration.

Big, Furry Hats

This trend seemed to begin a few years ago, and I specifically remember walking down 6th Avenue and spotting what appeared to be a woman walking with a Pekingese balancing on her head. Upon closer inspection, I realized it was a hat and that she was not blind or mentally impaired. I wrote it off as a joke until a few days later when I saw another young lady—this time a loose acquaintance—wearing an even bigger puff of fur atop her melon. I laughed in her face and when she asked what I was chuckling about I pointed to her head. She frowned and became irate that I would dare make fun of her new $350 piece of headgear. I guess that’s what you get for trying to help people these days. To be clear: I am not speaking of the aviator-style hats that many men and women also seem to be donning these days. They are also ridiculous, but not nearly as idiotic as the fur-trader variety that makes the wearer look like a giant walking Q-tip. I challenge anyone to look me in the eye (or even leave a comment below) and make a good argument for why these things aren’t an elaborate, systematic prank being executed by the fashion industry. Go on, I dare you.

Jeggings

Jeans, by definition, are supposed to have pockets and a zipper, or a button fly. Leggings are supposed to be form-fitting garment—thicker than stockings but thinner than traditional pants—that look good with pretty much any outfit. Combining the two, you get something you’d figure only single mothers of two buy for a girl’s night out that ends with their face in a puddle of vomit and their kids demanding Cheerios at 3 AM because “Mommy woke them up.” Then, after taking a spin on your respective Champs-Élysées or Madison Avenue, you realize that even the young and supposedly chic have embraced this gruesome Frankenstein of fashion. The unholy union of these two types of pants should not only be illegal, preachers should warn against their dangers in their sermons. Breaking news: According to my sources (the internet), the latest in jeggings technology has indued them with zippers and pockets. This doesn’t change anything. Why not just wear tight-fitting jeans? There is no good answer to this question other than “Because I have no taste.”

Shorts & Tights

This matchup is the equivalent of sliding a lamb intestine over a condom. And it probably smells about the same in there, too. At first glance, it appears the logic is the same as with the droopy crotch crowd—covering up a dumper the wearer is self-conscious about. But, taking a closer look, I have seen many fine and grope-worthy butts sealed inside the musty cotton-and-lycra mausoleum of shorts on top of tights. If you’re cold, wear thicker tights or jeans or additional layers that fully cover your legs—not shorts. If you haven’t yet, ask your mom about this particular style sometime. She will say it is dumb—I promise.

Ultra-high-waisted pants

If a girl has an impeccable ass, maybe, MAYYYYBEEE, she will look good in a pair of these, depending on the particular cut and style. But only, and I must stress only, if the symmetry of her butt cheeks is perfect and each half of the buttocks is separated and presented as an wonderfully oval mound of flesh. Most women, however, wear these because they believe high-waisters create an optical illusion—that their lower-belly pudge will be less noticeable if the waist of their pants is moved past their navels. Please, ladies, celebrate your squishy little bellyette (as long as you’re not obese). I like to hold on to it when I have sex with you because a) it’s a useful grip and b) it’s funny. Don’t think for a second that your pants are tricking me into thinking that your hips start right below your breasts. If they did, that would be weird, and, regardless, when you take those pants off everything’s just going to go flopping around anyway. Imagine how much more disappointed the person who sees you naked will be then.

Outfits Based on Diane Keaton Circa Annie Hall

The only way this look is OK is if you are a woman who is trying to attract Jewish momma’s boys or other women by looking more masculine than them. If you fall into either of these categories, I’m sure this works extremely well. Otherwise, put on a fucking dress please. Is it really that hard? I have to put on pants every day. Or wear some jeans or slacks or a skirt or whatever makes you feel good about your ass. I don’t care. Just leave the tie and (AGAIN!) the stupid hats at whichever stores sell ties and dumb hats to women. What’s more, lady blazers only work under very specific circumstances. I’m not going to get into those here because they should be painfully obvious. But if you frequently look like a display model at Ann Taylor Loft, chances are you should reevaluate a few things about your clothing preferences.

Gladiator/Sandal boots

We’ve experienced 2,500 years of evolution since their invention and modern women are actually choosing to tromp around in the standard issue footwear of Roman legionary soldiers. Authentic caligae (their name comes from Emperor Gaius whose nickname, Caligula, translates to “little boot”) have hobnails hammered into their soles. Ladies, can you guess why one would hammer nails into the soles of sandals? Because it makes it easier to stomp babies’ faces and women who will not submit to rape. What a fashion statement you’re making by wearing them in this day and age! But seriously, besides all of that, they’re uglier than an elephant’s asshole. They were also officially trendy in 2005, so if you’re wearing them now chances are you picked them up at Payless. Also, it seems that women with cankles think they’re puling a fast one by using these as a sort of calf girdle. In reality, this tactic backfires because they make your lower legs look like a whole beef tenderloin wrapped in twine. Don’t wear them, and tell everyone you know who owns a pair to burn them and bury their remains in a cemetery.

Of course, there are many other offensive modern styles. This is but a sampling. If you feel I’ve left anything out, please call notice to the particularly offensive trend in the comments below. Thank you!"

DARBY BUICK

Monday, April 5, 2010 at 11:55 am

Correspondence...

Apr 13 (1 day ago)
to josh, Jen, Suzanne, Sean, coral, Porter, pi_who, Peter
show details Apr 13 (1 day ago)

Favorite Art/Creative Magazines

I am working on the upcoming ISM: magazine. I will be sending out info on this special project within the next few weeks as we are attempting to orchestrate a limited edition printed book as well as a documentary film.

I would love it if you could email me a list of your favorite Art/Creative Magazines from around the world... (both in print and out of print, new and old)

Thanks bunches.
::
kevin
::
-----------------------------------------------------------------------------------
Reply
Coral
to Kevin
show details 4:45 PM (4 hours ago)

Okay Kevin, here's a short list of my newest and all-time favorites, in no particular order.

-Coral

Interview-
Wow was Interview fresh... From the ultra close-up covers demanding your attention, to the huge format on that rough, inky paper and the unexpected celebrity pairings... This magazine was a powerhouse of inspiration for me when I was younger, not to mention a veritable breeding ground for celebrity-worship in our culture nowadays. These were not your run-of-the-mill interview questions, or subjects for that matter. Interview showed me that there was no "normal", and there need be no formula to follow in journalism. Nothing was off limits, nothing was sacred. It was definitely an early catalyst for starting my own zine and I'm sure the founders of many of today's gossip rags can say the same.

Gazette du Bon Ton-
My mother (and her grandmother before her) collected these beautiful magazines and kept them as treasured keepsakes for decades. I can remember sitting on the floor in my mom's dressing room and pouring over Bon Ton's 80/90 year old pages very very sloooowly, soaking in all of the brilliant Art Deco images (my first introduction to Erté) and the stunning lines and falling hems of post-Eduardian couture. As this magazine was only in print for about 12 years until the mid 20's, the oversized pages were frail as my grandmothers skin and brittle as dried leaves, but strong too. These pages had survived the Great Depression, the Great War, and the Great Changes of Fashion-through-Industrialization. And yet still, even now looking through them (when they're not under glass and frames), the writing is contemporary and the images iconic. Every fashion magazine I've encountered since has been somehow less-than... a knock off; constantly inspired by, but not quite living up to the magical quality of La Gazette du Bon Ton.

R-Kive-
Obviously not the best known of zines, but a great part of my life and a venture in writing/editing/guerilla-publishing that would help transform me from an awkward, self-alienating teen, to an awkward, self-alienating adult with minimal trauma and maximum awesomness. The zine introduced me to people and places that I had only seen in the glossy pages of Circus, Rolling Stone and Spin or heard about on MTV's little-known Sunday-at-midnight show "120 minutes". R-Kive was my sounding board, therapy session, and ticket out of small-town mentality; Along with many more like-minded zines of the time (Sourpuss, Girl Germs, Expansion of Life, and Spilt Milk come to mind), it was a turning point in my life and the most profound reason that I am who I am.

Swindle-
Shepard Fairey on Banksy... Need I say more? It's every wannabe graffiti nerd's wet dream. And the Icon issues? The photos alone are enough to make it worth the cover price, but on top of that the stories are short, sweet, to-the-point and yet provocative. Also it's fearless, and I love that. Who else can go from Philippe Starck to Billy Idol to the Space Invader, without coming off a schizophrenic mess? Somehow they pull it off and it's seamless. Of all the contemporary periodicals, Swindle is by far my favorite classic in the making. It's the one I see my son flipping through back-issues of ten years from now.

Metropolis-
Architecture porn. I'd say that since my first year of college I've had an architectural bug. Probably longer, but living in Austin and being far away from home for the first time- thinking that I had it all figured out, suddenly this great art form found me and it's had a very stronghold ever since. So I studied "Falling Water", Wright, Ando and Kahn... I knew the greats, I read the Digest, and later I got a subscription to Dwell. I was well versed in archi-nerd speak and could definitely hold my own in a conversation among laymen. Then one day a few years ago, my architect neighbor's mail was accidentally delivered to my door and among the crappy coupons and unpaid bills was a giant and beautiful magazine called "Metropolis: Architecture-Culture-Design". Ten minutes later, I had gone from Architecture-loving pseudo-intellectual to all out PHONY! I knew squat about anything! Metropolis opened my eyes and blew my mind. A week later I was visiting the Cal Poly admissions office picking through leaflets on their Master's program. And incidentally... the neighbor never got that issue.